The Only Son (1936) dir. Yasujiro Ozu. Japan. Now turn to Yasujiro Ozu, who is one of the three of four best filmmakers in the world, and certainly the one who brings me the most serenity. I've seen 14 of his films, four of them with the shot-by-shot approach. That doesn't make me an expert, … Continue reading Film 36: The Only Son
Tag: ebert
Film 35: Swing Time
Swing Time (1936) dir. George Stevens. USA. When you see anyone--an athlete, a musician, a dancer, a craftsman--doing something difficult and making it look easy and a joy, you feel enhanced. It is a victory for the human side, over the enemies of clumsiness, timidity and exhaustion. The cynical line on Astaire and Rogers was, … Continue reading Film 35: Swing Time
Film 12: Faust
Faust (1926) dir. F.W. Murnau. Germany. Like all silent-film directors, Murnau was comfortable with special effects that were obviously artificial. The town beneath the wings of the dark angel is clearly a model, and when characters climb a steep street, there is no attempt to make the sharply angled buildings and rooflines behind them seem … Continue reading Film 12: Faust
Film 7: Sherlock Jr.
Sherlock, Jr. (1924) dir. Buster Keaton. USA. (NB: We switched film 7 and 8 on our docket for timing purposes. They were both released in 1924.) 'The greatest of the silent clowns is Buster Keaton, not only because of what he did, but because of how he did it. Harold Lloyd made us laugh as … Continue reading Film 7: Sherlock Jr.
Film 6: Souls For Sale
1 Souls for Sale (1923) dir. Rupert Hughes. USA. 'This is a prime example of the mid-range entertainment Hollywood was producing so skillfully at the time. Filled with actors who were then stars, fast-moving, entertaining, with a spectacular circus action sequence at the climax, it is drama, melodrama, romance and satire all at once -- … Continue reading Film 6: Souls For Sale
Film 1: Cabiria
Cabiria (1914) dir. Giovanni Pastrone. Italy. [As we work our way through our film history docket, we'll post (very) short write-ups of each movie, along with a piece of insight.] "The movie feels old, and by that I mean older than 1914. It feels like a view of ancient times, or at least of those … Continue reading Film 1: Cabiria